BreakThru Radio Blog

Art Uncovered: James Gulliver Hancock

+00002010-02-09T11:00:51+00:00282010bUTCTue, 09 Feb 2010 11:00:51 +0000 22, 2007 · Leave a Comment

Today’s Art Uncovered guest is the multi-talented James Gulliver Hancock. James dabbles in many forms of visual art including illustration, installation, animation, and graphic design. His skill is limitless and his work is always very detailed and intricate. Go to his website www.jamesgulliverhancock.com, read up on some blog love and peruse his various illustration, animation and art project galleries. Definitely check out his animation… its amazing. Enjoy!


Art – Cut Here


Art – Extension 2


Illustration – Anatomy 1


Illustration – Anatomy 2


Scrapbook 57


Scrapbook 66


Scrapbook 67


Scrapbook 77

00:00 Art Uncovered with Piera
00:47 Raising the Sparks – Akron/Family
04:46 Art Uncovered with Piera
04:50 Interview with James Gulliver Hancock
08:01 Art Uncovered with Piera
08:08 Mossy -Aa
12:10 Surprise Hotel – Fool’s Gold
18:55 Art Uncovered with Piera
18:58 Interview with James Gulliver Hancock
21:28 Art Uncovered with Piera
21:32 Brother Sport – Animal Collective
27:28 Art Uncovered with Piera
27:33 Interview with James Gulliver Hancock
32:15 Art Uncovered with Piera
32:18 Used to Be – Beach House
36:07 Fucked From Above 1985 – The Bloody Beetroots
42:00 Art Uncovered with Piera
42:11 Interview with James Gulliver Hancock
45:59 Art Uncovered with Piera

Link to this show: http://www.breakthruradio.com/index.php?show=9312

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BTR Live Studio: Wil Deynes

+00002010-02-09T10:59:46+00:00282010bUTCTue, 09 Feb 2010 10:59:46 +0000 22, 2007 · Leave a Comment



00:00 Wil Deynes
00:46 Better Way
03:54 Short and Sweet
06:29 Interview
12:52 Super Wonderful
15:48 I Try
19:27 Say Goodbye
22:55 Interview
26:41 Need You There
30:03 Interview
32:33 I Don’t Care
36:02 Wil Deynes

Link to this show: http://www.breakthruradio.com/index.php?show=9310

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Nite Jewel Live at Home Sweet Home in New York City on February 3rd, 2010

+00002010-02-05T16:59:12+00:00282010bUTCFri, 05 Feb 2010 16:59:12 +0000 22, 2007 · Leave a Comment

I went down to Home Sweet Home in the Lower East Side on Wednesday night for a Nite Jewel show.  Before I talk about the music, I’ll talk a bit about the venue. The night was being billed as the “Weird Party,” and though it was called that because it was run by Weird Records, it was an apt name.

First of all, the venue was tiny, but the DJ still ran the smoke machine pretty heavily all night. This resulted in a fog so dense that it was difficult to see the stage from a few feet away. It was particularly disorienting once the room got a little crowded. Secondly, there was only one band playing, with no opening acts. That’s not that weird, I guess. Except for the fact that the venue still couldn’t manage to get the show to start on time. However, I didn’t mind too much. The DJ’s were playing a lot of good records (mostly coldwave/goth/dance hits), and the crowd seemed to be in a good mood.

By the time Nite Jewel took the stage, the space was packed. I guess it was a small venue for them to play because they kept remarking how “cool” it was to “be able to play a space like this.” Still, the shoulder-to-shoulder state of things didn’t stop people from finding way to bump, grind, and flail to the smooth grooves the band was putting down.

I had never heard Nite Jewel going into the show. I knew they were frequently lumped in with the whole chillwave thing, which I am personally pretty mixed on, so I was skeptical. But I have to say, I actually enjoyed their set. They were definitely “chill,” but they didn’t sound too much like Haunted Graffiti, so I don’t know if they could be called “chillwave.” They seemed to be more interested in recreating mid-70s soul/disco/soft rock grooves via the early 90s g-funk tracks which they sampled, all while adding touches of psych/post-punk weirdness. The group followed this formula pretty strictly, and I probably would have gotten bored if the set had been longer.

They played as a three-piece, with two people singing and operating various synths and samplers, and one person on bass guitar. Once they got a good mix, it sounded less like a band and more like a really skilled DJ/vocalist. It was kind of a cool effect. Their stage presence was a bit leaden though, at least as far as I could tell with all the fog, but that’s all right. I actually think the fog helped them, because people were less inclined to notice their lack of stage presence (or the fact that there was a band present on stage at all), and could just let go and dance a little bit. The show was over after a breezy 40 minutes, and everyone seemed to leave in a good mood, though desperately seeking a little fresh air.

Link to this article:
http://www.breakthruradio.com/index.php?b=review.php?id=197

- Patrick Kolodgy

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BTR Live Studio: Vandaveer

+00002010-02-05T16:58:17+00:00282010bUTCFri, 05 Feb 2010 16:58:17 +0000 22, 2007 · Leave a Comment

VANDAVEER

2/26 @ The Birchmere – Alexandria, VA
3/17- 3/20 @ SXSW – Austin, TX

00:00 Vandaveer
00:52 Turpentine
04:47 Interview
12:30 Long Lost Cause
15:03 Resurrection Mary
18:31 A Mighty Leviathon of Old
24:09 Interview
25:10 Fistfull of Swoon
29:30 Interview
30:44 Grace and Speed
34:25 How Ever Many Takes it Takes
36:59 Wool Gathering
39:41 Interview
41:37 The Waking Hour

Link to this show: http://www.breakthruradio.com/index.php?show=9275

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The Brooklyn Music Scene

+00002010-02-04T11:15:20+00:00282010bUTCThu, 04 Feb 2010 11:15:20 +0000 22, 2007 · 1 Comment

BTR’s Thompson Davis checks out the Beast Reality showcase in Brooklyn, New York
February 4, 2010

Like the professional journalist that I am, I managed to miss three of the four bands i had set out to see at the Beast Reality showcase at The Silent Barn in Brooklyn, New York. One of the bands I missed was FIASCO, a personal favorite and live powerhouse. The two other bands were Sweet Bulbs and Brandon Can’t Dance, both of which seemed promising, so I was pretty bummed as I entered the club.

There was only one band left on the roster and it was Liturgy, a “transcendental Black metal” band. My only real exposure to metal up until this point was the True Norwegian Black Metal book by Peter Beste (which is a collection of photos of Norwegian metal heads decked out in corpse make-up and decapitated goat heads). So, I wasn’t sure if I’d be able to appreciate the “extremeness” of black metal.

Liturgy was a treat. The sound was fast, loud, and punishing – but very musical. The guitarists played melodic double-time riffs over a cacophony of repetitive drumming, supportive bass, and free form screaming.  Though their music was distorted, you could still hear the harmonization and counterpoint of the melodies being played. One of the most affecting moments was when the vocalist sang by himself and created a harmony using a looping pedal. It reminded me of a Gregorian chant.

Although I missed the bulk of the showcase, I was still able to catch an interview with Ray Weiss one of the founders of Beast Reality earlier in the evening. We spoke about the creation of the label, the acts on Beast Reality, and the music scene in Bushwick.

BTR: I want to talk first about your new label, Beast Reality. When did you start it?
Ray Weiss: The label, in essence, is starting tonight with our first release! We put up the website with some free downloads and information about our physical releases a month or two ago but tonight is the true beginning.

BTR: I imagine that’s pretty exciting!
RW: Yeah!

BTR: So I’m curious, because for the most part labels – even indies aren’t doing well. I mean you’ve got to be sort of crazy to start your own label. How do you see yourself avoiding the pitfalls of a label system?
RW: Well, I guess my intentions are not to turn a profit. I’m just doing it because I love to do it. I’m willing to lose money on it. Of course, I want the bands on the label to do well, and I’ve been able to get some of them write-ups. I guess I don’t see Beast Reality as a normal label, I see it more as it’s own sort of creature –

BTR: A beast if you will –
RW: Yeah sure, but it’s pretty much dictated under the terms we’re given, how music is marketed in 2010. It’s geared towards the blogosphere.

BTR: Well, on your Myspace page, you state that you branched out from Tamur because you wanted to become a more legitimate label and create commercial opportunities for your artists.
RW: Yeah, the main difference between Tamur does and what I want Beast Reality to do is – and you should get the guy from Tamur’s opinion on this – they saw Tamur as a really open collective that was really inclusive to everything, and there are a lot of benefits to that, but at the same time I wanted to be more exclusive or anti-populist. I want to keep the music on a consistent level, a good level. I want to build a brand based on recognition of bands that sound alike.

BTR:
What do we have in store for tonight?
RW: First we have Sweet Bulbs, my new band. It’s me and a couple of guys from Michael Jordan -

BTR: Who are apparently now defunct?
RW: That’s breaking news.

BTR:
Because they were awesome.
RW: I know. It sucks. It’s the reason Mike [of Michael Jordan] and I are playing together. I promised him we would do something if he wasn’t with them.

BTR: What are you playing in Sweet Bulbs?
RW: I play the drums, Mike plays guitar, and this girl Inna sings. There’s that and then Fiasco’s going to play. Everybody knows and loves Fiasco. And then there’s Brandon Can’t Dance, a Beast Reality artist from Philly, and then Liturgy – which is very new age black metal.

BTR: Can Brandon dance?
RW: Actually, you might be surprised to find out that he’s one of the best dancers I’ve ever seen. But that’s all I’m going to tell you.

BTR:
Lastly, do you still see Bushwick as a fertile place for music? I’ve been here for a year and a half, and even in that short amount of time I’ve seen it blow up.
RW: I think it’s more than just Bushwick. I think with the accessibility of stuff kids put up on the Internet, anywhere you go there are kids doing the same thing. It’s like a nice collective unconsciousness where everyone knows what’s going on without actually talking to each other. So while Bushwick is great, it’s in the city – I mean we’re gentrifying the fuck out of neighborhoods with our indie rock (laughs)

BTR: Totally
RW: In terms of just music, it’s great. More people are getting involved instead of just the few people who ran Bushwick. More bands are getting shows, there are more kids -

BTR: Like the all-ages events.
RW: That’s actually one of the best things to happen.

BTR: I feel old now when I got to shows
RW: I remember when this girl asked if I was in the “older band” at a show and I nearly flipped out at her. I was like, “I graduated high school 4 years ago, you’re calling me old!” I think Bushwick’s great, but if Williamsburg is any indication of what this is going to wind up like, maybe we better enjoy it while we still can before we get priced out of it.

BTR:
I think that’s a good note to end this on. “Enjoy it while we can”
RW: Cheers

You can learn more about Beast Reality and download tracks at http://www.beastreality.org/

Also, check out the band Liturgy live (tour dates below) and online at http://www.myspace.com/liturgynybm .

Catch Liturgy LIVE!!!

Feb 13 – The Hexagon – Baltimore, MD
Feb 18 – Don Pedro’s – Brooklyn, NY
Mar 6 – Glasslands – Brooklyn, NY
Mar 13 – Scion Rock Fest – Columbus, OH
Mar 14 – Now That’s Class – Cleveland, OH
Mar 15 – The Mopery – Chicago, IL
Mar 16 – Camp Concentration – St. Louis, MO
Mar 17 – The Conservatory – Oklahoma City, OK
Mar 18 – House of Tinnitus – Denton, TX
Mar 19 – SXSW: 20 Buck Spin showcase – Austin, TX
Mar 19 – SXSW: WFMU/Aquarius showcase – Austin, TX
Mar 21 – Bro Fest 2010 – Dallas, TX

- Thompson Davis

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Anatomy of a Blogger: Dancing Astronaut

+00002010-02-04T11:13:57+00:00282010bUTCThu, 04 Feb 2010 11:13:57 +0000 22, 2007 · Leave a Comment


00:00 DJ Thompson presents The Anatomy Of A Blogger
00:21 How did Dancing Astronaut come about and who are you?
00:41 Hey Hey – Dennis Ferrer
07:11 MEGA – The Count & Sinden
12:31 We Love Animals – Crookers ft. Mixhell, Soulwax
17:20 Talk about some of your favorite artists
17:38 Special – Sir James
23:03 Anyway – Duck Sauce
28:29 Talk about some of your favorite artists
28:56 Silvia (Sinden remix) – Miike Snow
34:01 Blau (LA Riots remix) – Diplo & Laidback Luke
38:32 Is there a particular specialized genre/movement that you’re really into lately?
38:55 La Mezcla – Michel Cleis
50:34 Heartbreaker (Laidback Luke remix) – MSTRKRFT
56:06 What are the most recent developments in Dancing Astronaut?
56:29 Pursuit of Happiness (Steve Aoki remix) – Kid Cudi
60:10 Thompson Out
60:24 Right Hand Hi (Kim Fai remix) – Kid Sister


Crookers Ft Mixhell, Soulwax
Feb 5 2010     The Coronet     London, UK
Feb 6 2010     Chibuku    Liverpool, UK
Feb 6 2010     The Plug     Sheffield, UK


Miike Snow

Feb 4 2010     Stereo – SOLD OUT     Glasgow, Scotland
Feb 5 2010     Other Rooms     Newcastle, UK
Feb 6 2010     Plug     Sheffield, UK
Feb 8 2010     Leeds University     Leeds, UK


Diplo

Feb 17 2010     LIV Nightclub     Miami, FL
Mar 13 2010     Flames Central     Calgary, AB, Canada
Mar 27 2010     Ultra Music Festival, Bayfront Park     Miami, FL

Direct link to this show: http://www.breakthruradio.com/index.php?show=9263

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Worldwide Hour

+00002010-02-03T11:06:38+00:00282010bUTCWed, 03 Feb 2010 11:06:38 +0000 22, 2007 · Leave a Comment

If you’re wondering what you can do to address the crisis in Haiti, please visit these sites for more information:
Red Cross

Unicef
Doctors Without Borders
Partners In Health

00:00  DJ Wynn
00:37  El Sabroson – Poncho Sanchez
05:47  Forca Da Imaginacao – Arranco De Varsovia
08:58  Below The Bassline – Ernest Ranglin
13:31  Que Que Tu Fez – Forro In The Dark
17:32  Sambila – Bonga
20:40  Milk and Honey In My Dub – Prince Fatty
24:11  Ponta De Lanca Africano – Jorge Benjor
27:59  DJ Wynn
29:08  Wele Wele Wintou – Oumou Sangare
34:19  African Pirates – Nightmares On Wax
37:41  Wakafrika – Manu Dibango
42:27  Shiraz – Sharif
46:00  El Son Te Llama – Orchestra Baobab
51:19  No Es Facil Amar – Los Amigos Invisibles
55:28  DJ Wynn
56:14  Tango Cancion – Gotan Project


Poncho Sanchez
Mar 13  McIntyre Hall – Mt. Vernon, WA
Mar 19  Berks Jazz Festival Miller Center – Reading, PA
Mar 20  Brooklyn Center for the Performing Arts – Brooklyn, NY
Mar 27  Prairie Center for the Arts – Schaumburg, IL
May 2   Lincoln Theater – Columbus, OH


Jorge Benjor

Feb 4  Teatro Castrol Alves – Salvador, Brazil


Oumou Sangare
Feb 15   Festival International des Arts de L’Ahaggar – Tin Hinan Abalessa, Algeria
Feb 18   Lighthouse (African Soul Rebels Tour) – Poole, England
Feb 19   Brighton Dome (African Soul Rebels Tour) – Brighton, England
Feb 20   Barbican (African Soul Rebels Tour) – London, England
Feb 21   Royal & Derngate (African Soul Rebels Tour) – Northampton, England
Feb 22   Colston Hall (African Soul Rebels Tour) – Bristol, England


Los Amigos Invisibles
Feb 5    Bull Dog Puebla – Puebla, Mexico
Feb 6    Palacio de los Deportes – Mexico City, Mexico
Feb 19   Black Cat – Washington, Washington D.C.
Feb 20   Paradise Rock Club – Boston, MA
Feb 26   La Covacha – Doral, FL
Feb 27   Mojitos – Orlando, FL

Link to this show: http://www.breakthruradio.com/index.php?show=9250

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American Idiot?

+00002010-02-03T11:04:53+00:00282010bUTCWed, 03 Feb 2010 11:04:53 +0000 22, 2007 · Leave a Comment

President Barack Obama is a great orator; there is no disputing it. In fact, he is arguably the best “public-speaking” President this country has ever elected. And while I am considered by most who know me as an individual who is a fan of politics, fear not- this article will not turn into one of political debate or banter. I only mention Obama’s eminent speaking abilities to define motive for quitting my assigned readings for school Wednesday night to turn on the television and take in the seventy-minute State of the Union Address.

There were many moments throughout President Obama’s speech that will evoke editorial writing all across the country this week, as well as throughout the entire world to some extent. Yet for me, there was one particular section that I felt not only appealed to the institution of government itself, but to an industry that, in our modern information- glutton society, may be equitably important and influential to our laws, policies, gubernatorial decisions, and way of life: Media.

“Unfortunately too many of our citizens have lost faith that our biggest institutions … our media … still reflect these values [that built America]… The more TV pundits reduce serious debates into silly arguments, and big issues into sound bites, our citizens turn away. No wonder there’s so much cynicism out there. No wonder there’s so much disappointment.”

Did our President just call out the conglomerate media giants on printing sexy-headlines instead of reporting content? He sure did, and kudos to him for doing it!

So what does this all have to do with music today? The music industry (particularly the music-media industry) is largely guilty of the same cheeky sales tactics. The unfortunate thing is that as an industry, unlike a federal government, we don’t have a President to address us all at one time basically scolding us with, when reading between the lines, a lecture that compels; “Stop it. It does no good. Be better than that. What happened to the values and foundation that for a century now has made our music great?”

One has to wonder what the ratio of people is who have seen upskirt photos of Britney Spears vs. listened to a Okkervil River album; who have googled (yes, this should be a verb in 2010) images of a strung out Amy Winehouse vs. have ever listened to Billie Holiday sing “Strange Fruit;” or those who have spent more time discussing the final decade of Michael Jackson’s life (ahem, demise?) vs. actually listening to his music and message.

The problem with giant music media companies is that they are private organizations, and as such, they employ a Chief Executive Officer whose number one responsibility is to improve the stock value of his company. To do that, sales must continue to out-pace costs and revenue streams must continue to steadily ascend. It’s basic economics and at the risk of sounding condescending, I am sure it is something we are all quite aware of already. So, as CEO of any media form that reports on the music industry, one can only expect that a headline about the argument leading Noel Gallagher to tell his brother and rest of his bandmates to basically “go F themselves” will sell more issues, and in turn increase a higher net sales figure, then say an in depth review of the Belle and Sebastian catalogue.

This unfortunate truth is not unique to music at all. Sadly it is the state of our media today, especially since the onset of the information revolution. But what other alternative is there? Government controlled content of the media? Not only is that most likely impossible in today’s technological world, it would most certainly create a much more Orwellian state of things than I think any of us would even like to imagine. And who can blame our so-called hypothetical CEO for printing the Oasis headline over a Belle and Sebastian review? If that is what is going to get people to purchase the media content, than that is what should lead the medium.

Yet at some point we have to sit back and ask ourselves whether in today’s culture the antics outweigh the art? Does youth-society become a fan of music because of its sound or its sensation? Before the pop/rock star, music was made by the suffering, the ecstatic, the lonely, the celebrator, the nostalgic–in all: the artist. Now it’s produced by the greedy to be performed by the egoist and played for the envious. What better example than the American Idol sensation that has not only taken America by storm, but also 42 other countries (source: Wikipedia. http://en.wikipedia.org/wiki/Idol_series). Is this really how our generation would like to be remembered when looked back by historians as what was the music pop-culture scene at the turn of the 21st Century? The ’30s got Satchmo, the ’40s Frank, the ’50s Elvis, the ’60s Dylan and The Beatles, and we get Jordin Sparks?

The early pandemonium first created by the young teenage fans of Frank Sinatra that would transmit into “Beatlemania” forever changed the way we view popular music (it’s a tricky phrase to use–“popular music”–I am aware. A whole separate article could be written about what this term means to different readers and how the obscurity of the term leads to debate and misunderstanding. Yet that is another album to be played so to speak, so I request you all take what I mean here with a grain of salt and grant me the vagueness of the term). The question that we have to ask ourselves is if young people today get into music for what it represents as opposed to the expression (or lack thereof in a lot of cases) it intends. I would argue that majority of American adolescents, the nucleus of pop-culture, do. Not that they are to blame, for there is the substantial argument that humankind always has. But now more so than ever, it is becoming solely about representation and image and less about expression and art.

It is no accident that “We Shall Overcome” became a repeated hit during the Civil Rights movement throughout the 1960s. Representation of the lyrics was everything to the motley crowd of protestors who would repeatedly sing it during sit-ins, rallies, and marches. But the difference between the music industry past and present is how that song was portrayed to the masses then, and how it would be portrayed today.

Imagine Joan Baez or Mahalia Jackson being dressed up in Shakira-esque skirts and having bloggers report a fabricated love triangle between the two of them and Dr. Martin Luther King, accompanied by sound bites and paparazzi-plastered images all over the Web–all in hopes that “We Shall Overcome” becomes the next protest theme-song for The Movement. When one thinks of such a ploy, it sounds absurd and ludicrous. Instead of looking for meaning in song that captures the way an entire generation feels about its situation, music, and its codependent spouse media, is attempting to create the reciprocal by telling a generation what they feel through a façade of images and sound.

Look, I know there are a lot of engines out there that produce quality reporting and reviewing of artistically-inspired modern music (as opposed to commercially generated “American Idol” commodity-music). BreakThru Radio is a perfect example of such a vehicle. In fact if you are reading this article you are precisely the audience that most likely does not need to be reached.

My point here is that the grand American music industry, as it is perceived by majority of Americans as well as the rest of the world striving to identify with the American culture, lost its way somewhere between Sun and Chess Records and Making The Band. While independent labels, Web sites, radio stations, and small venues continue to push for quality over sensationalism, it is the corporate labels and our playing into the ignominy of our musician stars that is continuing to foster the growing disgrace of the perception of America’s music scene and in accordance, American pop-culture as a whole. No wonder there’s so much cynicism out there. No wonder there’s so much disappointment.

- Kory French

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BTR Live Studio: Mean Creek

+00002010-02-02T12:32:52+00:00282010bUTCTue, 02 Feb 2010 12:32:52 +0000 22, 2007 · Leave a Comment

MEAN CREEK, on tour with Destry!

2/2 @ TT The Bears – Cambridge, MA
2/4 @ Jerky’s – Providence, RI
2/8 @ The Knitting Factory – Brooklyn, NY
2/9 @ Maxwells – Hoboken, NJ

00:00 Mean Creek
00:48 Face The Earth
03:39 The Sky
08:28 Interview
12:02 Beg and Plead
15:06 Light Into Dark
19:05 Interview
23:59 Strong Man
28:03 Interview
29:04 It’s Good To Be Back
31:33 The Comedian

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BTR Artists on Tour

+00002010-02-02T12:30:12+00:00282010bUTCTue, 02 Feb 2010 12:30:12 +0000 22, 2007 · Leave a Comment


Yeasayer

‪Brooklyn’s own Yeasayer is a self-proclaimed “Middle Eastern-pysch-snap-gospel” experimental rock band, recently signed to up and coming independent label Secretly Canadian. Heavy on the electronics, light on the multi-part chants, and with a splash of dancey rhythms, their sophomore release, Odd Blood, is a steep transformation from their first album. Yeasayer’s live act provides you with a psychedelic light show that will have you thinking you’re at a 1972 Rush concert. It’s that awesome! Check them out this spring when they head out for a lengthy international tour.‬

2/05 – Natural History Museum – Los Angeles, CA
2/08 – Bowery Ballroom  – New York, NY
2/09 – Music Hall of Williamsburg – Brooklyn, NY
2/16 – Academy 2 – Birmingham, England
2/17 – King Tut’s – Glasgow, Scotland
2/19 – Academy – Dublin, Ireland
2/20 – Speakeasy – Belfast, Northern Ireland
2/21 – Academy 3 – Manchester, England
2/22 – The Faversham – Leeds, England
2/23 – Heaven – London, England
2/25 – Thekla – Bristol, England
2/26 – Audio – Brighton, England
2/28 – Luxor – Cologne, Germany
3/01 – Trix Club – Antwerp, Belgium
3/04 – KB – Malmo, Sweden
3/05 – Debaser – Stockholm, Sweden
3/06 – Rockerfeller – Oslo, Norway
3/08 – Vega Small Hall – Copenhagen, Denmark
3/09 – Knust – Hamburg, Germany
3/10 – Postbahnhof – Berlin, Germany
3/11 – 59:1 – Munich, Germany
3/12 – Zukunft – Zurich, Switzerland
3/13 – Circolo Degli Artisti – Rome, Italy
3/14 – Tunnel – Milan, Italy
3/16 – Apolo 2 – Barcelona, Spain
3/17 – Moby Dick
3/19 – Point FMR – Paris, France
3/20 – Paradiso – Amsterdam, Netherlands
4/03 – 9:30 Club – Washington, DC
4/04 – Cat’s Cradle – Carrboro, NC
4/05 – Orange Peel – Asheville, NC
4/06 – Masquerade – Atlanta, GA
4/07 – Hi Tone Cafe – Memphis, TN
4/08 – Granada Theatre – Dallas, TX
4/09 – House of Blues – Houston, TX
4/10 – The Parish – Austin, TX
4/11 – The Parish – Austin, TX
4/14 – Club Congress – Tucson, AZ
4/15 – Rhythm Room – Phoenix, AZ
4/17 – The Fillmore – San Francisco, CA
4/19 – Wonder Ballroom – Portland, OR
4/20 – Neumos – Seattle, WA
4/21 – Commodore Ballroom – Vancouver, BC Canada
4/23 – In The Venue – Salt Lake City, UT
4/24 – Bluebird Theatre – Denver, CO
4/25 – Waiting Room – Omaha, NE
4/26 – Gargoyle Club – Saint Louis, MO
4/27 – Varsity Theatre – Minneapolis, MN
4/28 – Majestic Theatre – Madison, WI
4/29 – Metro – Chicago, IL
4/30 – Grog Shop – Cleveland, OH
5/01 – Lee’s Palace – Toronto, ON
5/02 – La Sala Rossa – Montreal, QU Canada
5/03 – Paradise – Boston, MA
5/04 – Webster Hall – New York, NY
5/05 – The Trocadero – Philadelphia, PA


She & Him

Whatever the catalyst was for Zooey Deschanel and M. Ward’s musical collaboration, we are sure glad it came about. Although their music isn’t overly original, it is melodic, sweet, and a throwback to sun-soaked simpler times.  In a musical landscape where noise and reverb run rampant, She & Him’s refreshingly straightforward music and lyrics are a nice change of pace.  The songs on their first album, Volume One, are dulcet and memorable, and their aptly named second album, Volume Two, promises more of the same. Volume Two is being released March 23rd, right at the beginning of their tour. Though their tour this spring is fairly short, if I were you I’d try to catch them.  There is no guarantee how long this charming collaboration will last, and it would be a shame to miss them.‬


LIVE!!!

3/15 – Largo – Los Angeles, CA
3/25 – El Rey Theater – Los Angeles, CA
3/27 – Savannah Music Festival – Savannah, GA
3/29 – Bowery Ballroom – New York, NY
3/30 – Bowery Ballroom – New York, NY
4/15 – The Glass House – Pomona, CA
4/16 – Coachella Festival – Indio, CA


Washed Out

Ernest Greene, better known as Washed Out, creates lofi snyth-pop for lovers and dancers. The Georgia based musician recently debuted with a critically acclaimed EP entitled Life of Leisure. The “laid back 80’s-throwback” sound, as he puts it, makes for a fantastic renewal in shoegaze and independent pop music. The drone-shoegaze project started when Greene was living at his parent’s house in Peach Country, Georgia. His remix of Small Black’s “Despicable Dogs” is incredible, and it seems to have sparked the beginnings of a beautiful relationship. The two acts start touring together in early March.

LIVE!!!

3/06 – The Wadsworth Anteneum – Hartford, CT
3/07 – Mercury Lounge – New York, NY
3/08 – Mercury Lounge – New York, NY
3/09 – The Barbary – Philadelphia, PA
3/10 – Floristree – Baltimore, MD
3/11 – DC 9 – Washtington, DC
3/12 – Tea Bazaar – Charlottesville, VA
3/13 – 412 Market Street – Chattanooga, TN
3/14 – Hi-Tone Cafe – Memphis, TN
3/15 – The Den – New Orleans, LA
3/17 – SXSW – Austin, TX
3/18 – SXSW – Austin, TX
3/19 – SXSW – Austin, TX
3/20 – SXSW – Austin, TX
3/24 – The Black Forest Mill – Phoenix, AZ
3/25 – Sushi Arts – San Diego, CA
3/26 – Echoplex – Los Angeles, CA
3/28 – Rickshaw Shop – San Francisco, CA
3/29 – Holocene – Portland, OR
3/30 – Media Club – Vancouver, BC Canada
3/31 – The Vera Project – Seattle, WA
4/02 – Rhinoceropolis – Denver, CO
4/05 – Empty Bottle – Chicago, IL
4/06 – The Cafe – Detroit, MI
4/07 – Wrongbar – Toronto, ON Canada
4/08 – Il Motore – Montreal, QU Canada
4/21 – Granada Theatre – Dallas, TX
4/22 – Emo’s – Austin, TX
4/23 – Walter’s – Houston, TX
4/24 – Spanish Moon – Baton Rouge, LA
4/25 – Engine Room – Tallahassee, FL
4/27 – Bottletree – Birmingham, AL
4/28 – Mercy Lounge – Nashville, TN
4/29 – The Earl – Atlanta, GA
4/30 – Grey Eagle Tavern – Asheville, NC
5/01 – Cat’s Cradle – Chapel Hill, NC

Link to this article: http://www.breakthruradio.com/index.php?b=article.php?id=1305

- Caroline Sloan

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