When presented with the opportunity to support Arcade Fire on tour, most bands would jump at the chance. Spencer Krug (of Frog Eyes) did not have such a band at the time, but he was unfazed – Wolf Parade was formed in less than three weeks to embark on the 2003 tour. Comprised of Krug and Atlas Strategic’s Dan Boeckner, the pair originally used a drum machine to complete their sound. Over the next year, the lineup filled out (adding Arlen Thompson, Hadji Bakara and Hot Hot Heat’s Dante DeCaro) and released two acclaimed EPs. The sound was both unique and engaging, helping to put Montreal on the map as the next great rock city. With two lead singers and the most effective use of synths in recent memory, Wolf Parade was something special.
Apologies to the Queen Mary, the debut effort from Wolf Parade, was one of the most-hyped albums of 2005, with indie rock anthems such as “I’ll Believe in Anything” and “Shine A Light” captivating crowds. The album, released on Sub Pop, was the kind of flawless first effort that grabs the world’s attention; in addition to being a blog favorite, Apologies to the Queen Mary was nominated for the Polaris Music Prize in 2006. The compelling vocals, catchy guitar riffs and synthesizers are what indie pop dreams are made of.
Since then, Wolf Parade has remained quiet, with various side-projects tiding over their fans. Great Wolf Parade spin-offs like Sunset Rubdown and Handsome Furs have all released solid albums and put on great live shows, though perhaps none have lived up to the majesty of WP. The much-anticipated return of Wolf Parade, At Mount Zoomer was just released on June 17th, and BTR has been spinning it nonstop. It’s no surprise to see the Sub Pop artist as BTR’s Artist of the Week – we love all 9 tracks of the effort, from the sugary synth-infused first track “Soldier’s Grin” to the epic eleven minute finishing track that is “Kissing the Beehive.”
The term “sophomore slump” is widely thrown around the independent music community after an amazing debut, but we’re glad to report it doesn’t apply here. Bands like Arcade Fire and Clap Your Hands Say Yeah were under immense pressure to deliver a stellar second record, as was WP. Luckily, the band took their time crafting a record that isn’t a carbon copy of their debut. It seems the Montrealites have taken a few cues from the hometown of their label, as we hear a lot of Northwest influences on this record (including, of course, Modest Mouse’s Isaac Brock, who initially introduced the band to Sub Pop.) The time spent with other musicians makes the breadth of influences on this record a bit wider than on Apologies, and while it may not pack the same punch, the album as a whole is excellently put together. It is important to note, of course, that a debut is a debut. The first time a listener hears a truly great band, the feeling can rarely be re-created. Apologies featured staggering songs that were all about making an astounding first impression. While a great album, Apologies featured tracks off of the previous EPs, making it more akin to a mixtape than a cohesive album.
At Mount Zoomer is, unlike many contemporary records, a complete listening experience. Standout tracks include “Call It A Ritual” and “Fine Young Cannibals,” however, we suggest listening through the album as a whole. The entire record is fantastic, and BTR will be spinning the new tracks all week. Of course, Wolf Parade are touring in support of the new album, and we highly suggest you check out one of their dates in a city near you:
Jul 07 Crofoot Ballroom, Pontiac, MI
Jul 08 House of Blues, Chicago, IL
Jul 09 First Avenue, Minneapolis, MN
Jul 12 Commodore Ballroom, Vancouver, Canada
Jul 13 Sub Pop 20th, Redmond, WA
Jul 15 Crystal Ballroom, Portland, OR
Jul 17 Fillmore, San Francisco, CA
Jul 18 Henry Fonda Theater, Los Angeles, CA
Jul 19 Henry Fonda Theater, Los Angeles, CA
Jul 20 Cane’s, San Diego, CA
Jul 21 Rialto Theater, Tucson, AZ
Jul 24 Palladium Ballroom, Dallas, TX
Jul 25 La Zona Rosa, Austin, TX
Jul 26 Spanish Moon, Baton Rouge, LA
Jul 28 Variety Playhouse, Atlanta, GA
Jul 29 Lincoln Theatre, Raleigh, NC
Jul 30 Electric Factory, Philadelphia, PA
Jul 31 Terminal Five, New York, NY
Aug 01 Terminal Five, New York, NY
Aug 02 Paradise, Boston, MA
Aug 03 Metropolis, Montreal, Canada
Aug 04 Capitol Music Hall, Ottawa, Canada
Aug 06 L’Espace, Quebec City, Canada
Aug 09 Koolhaus, Toronto, Canada